Make a Dream

And summer goes

Falls to the sidewalk like string and brown paper.

Winter blows, up from the river,

There's no one to take her

To the sea.

Like magazines

Fading in dusty grey attics and cellars

Make a dream, dream back to summer

And hear how he tells her,

"Wait for me".

(Joni Mitchell, Marcie, 1968)

You and Me

If the sun refused to shine

I would still be loving you.

When mountains crumble to the sea

There will still be you and me.

(Led Zeppelin, Thank You, 1969)

Dedicado a R, principio y fin.

I ran away in the morning

New York tendaberry

Blue berry

A rush on rum

Of brush and drum

And the past is a blue note

Inside me

I ran away in the morning

Now I'm back

Unpacked

Sidewalk and pigeon

You look like a city

But you feel like a religion

To me

(Laura Nyro, New York tendaberry, 1969)

...but the levee was dry

We were singing,
Bye-bye, Miss American Pie.
Drove my Chevy to the levee, but the levee was dry.
Them good old boys were drinking whiskey and rye
Singing, "this'll be the day that I die,
this'll be the day that I die."

Helter Skelter in a summer swelter.
The Byrds flew off with a fallout shelter.
Eight miles high and falling fast,
It landed foul on the grass.
The players tried for a forward pass,
With the jester on the sidelines in a cast.

(Don McLean, American Pie, 1971)

LEDESMA 9

Let's get away, you say, find a better place,

Miles and miles away from the city's race,

Look around for someone lying in the sunshine

Marking time,

Hear the sighs,

Close your eyes...

Time passes all too soon, how it rushes by,

Now a thousand moons are about to die

No time to reflect on what the time was spent on,

Nothing left,

Far away,

Dreamers fade...

(The Pentangle, Light Flight, 1969)

The End

This is the end,

Beautiful friend.

This is the end,

My only friend, the end.

Of our elaborate plans, the end.

Of everything that stands, the end.

No safety or surprise, the end.

I'll never look into your eyes... again.

(Jim Morrison, The end, 1967)

White Room

At the party

she was kindness

in the hard crowd

Consolation

for the old wound

now forgotten

Yellow tigers

crouched in jungles

in her dark eyes

She's just dressing

goodbye windows

tired starlings

(Cream, White Room, 1968)

Marienbad

- Je vous repète que c'est impossible, je n'ai même jamais été à Frederiksbad.
- Eh bien, c'êtait ailleurs... peut être... a Karlstadt, a Marienbad, ou Baden-Salsa, ou même ici dans ce salon. Vous m'avez suivi jusqu'ici pour que je vous montre cette image...

(Alain Resnais - L'année dernière à Marienbad - 1961)

("Y en medio Ella, la esfinge que no recuerda nada, que no tiene nada que contar, que debe ser devuelta a la vida para que todo pueda volver a empezar").

(Carlos Losilla - Cahiers du cinéma)

Longer Boats

Longer boats are coming to win us

They're coming to win us, they're coming to win us

Longer boats are coming to win us

Hold on to the shore,

Or they'll be taking the key from the door.

(Cat Stevens, Longer Boats, 1970)

Going Up the Country

I'm gonna leave this city,

got to get away.

I'm gonna leave this city,

got to get away.

All this fussing and fighting, man,

you know I sure can't stay

(Canned Heat, Going Up the Country, 1968)

Amelia

I pulled into the Cactus Tree Motel

To shower off the dust

And I slept on the strange pillows of my wanderlust

I dreamed of 747s

Over geometric farms

Dreams, Amelia, dreams and false alarms

(Joni Mitchell, Amelia, 1976)

Long, long time

And time washes clean

love's wounds unseen.

That's what someone told me

but I don't know what it means.

(Linda Ronstadt, Long, Long Time, 1970)

Entangled

...es posible generar un par de partículas en un único proceso cuántico, de forma que queden "entrelazadas" o "enredadas", ("entangled") esto es, una medición de un parámetro realizada sobre una de ellas, alteraría de forma instantánea el valor de ese parámetro en la otra partícula.

Esta relación persiste independientemente del *tiempo* transcurrido o de la *distancia* entre ambas partículas. Si estuvieron juntas en un instante del pasado, la relación que se establece desafía los paradigmas relativistas sobre espacio y tiempo, y es por lo tanto, desde ese punto de vista, un vínculo *indestructible* y *eterno*.(Entrelazamiento cuántico)

Chega de Saudade

Vai minha tristeza

E diz a ela que sem ela não pode ser

Diz-lhe numa prece

Que ela regresse

Porque eu não posso mais sofrer

Chega de saudade

A realidade

É que sem ela não há paz, não há beleza

É só tristeza e a melancolia

Que não sai de mim

Não sai de mim

Não sai

(Vinícius de Moraes, Chega de Saudade, 1958)

There Were Three Ravens

Downe in yonder greene field
There lies a Knight slain under his shield

(Transcrito en Melismata, de Thomas Ravenscroft, There Were Three Ravens, 1611)

Domaine sans nom

Here in the land of the mist and the lake,

me and my true love will never grow old.

(Graham Nash, Butterfly, 1967)